supported by 8 fans who also own “All things are quite silent II”
With her experimental, drone-y, minimalist music, this Belgian multi-instrumentalist creates a dense tapestry, held together by dark and rich folk threads. Here she weaves sonic spells utilizing keyboards, accordion, harmonium, bass, melodica, and a drum computer. The result is mesmerizing, celestial, and lush. Her arrangement of “Sally Free and Easy,” is stunning, but I am choosing “Shells,” as favourite to represent the release here. Nickie Harte Kelly